Atlantic Ocean, Martha's Vineyard

Hiroshi Sugimoto (b.1948) is a multidisciplinary artist, who is best known for his photography and architecture. Throughout his career, Sugimoto has used the camera to investigate the passage of time and to raise questions about the nature of perceived ‘reality’. For Sugimoto, ‘photography functions as a fossilization of time’. [1]

This silver gelatin print from Sugimoto’s enigmatic Seascapes series is titled Atlantic Ocean, Martha’s Vineyard (1986). Beginning in the 1980s, Sugimoto embarked on an ambitious project to document the rhythmic waves and glacial stillness of bodies of water at various locations around the world. To capture the rippling motion of the waves, Sugimoto used a large format 8 x 10 inch camera set to a slow shutter speed for a lengthened period of exposure. All images from this series were taken from the shore. In Seascapes, the artist offers the viewer a sublime encounter with elemental nature, which transcends geographic and cultural boundaries. Produced over a period of three decades, Seascapes became a photographic obsession that resonated with the artist at an instinctual level.

In each photograph, a horizon line bisects the composition, dividing sea from sky. Variations in light and environmental conditions serve to sharpen or blur the boundary, subtly altering the viewer’s emotional connection with the distant horizon. Blending scientific enquiry and spirituality, Sugimoto’s photographs are meditations on eternity.

Produced over a period of three decades, Seascapes became a photographic obsession that resonated with the artist at an instinctual level. For Sugimoto, the experience of photographing Seascapes was profound — a study of deep time: ‘I start feeling that this is the creation of the universe and I am witnessing it.’ [2]

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