Bowl
René Lalique
Life Story
René Lalique’s (1860-1945) ‘Lys’ patterned coupe is made from opalescent glass. The bowl has a shallow, hemispherical form and is decorated in relief with four stylised fleurs-de-lys flower heads. Manufactured by blowing the glass into a mould, the designer has cleverly integrated internal surface decoration and external form. The bowl’s four feet have been moulded as open flower heads, their petals spreading onto the underside of the bowl.
Engraved on the underside with the inscription: ‘R. Lalique France 382’ in block letters, this model was designed on 24th July 1924 and produced until 28th April 1939. After this date it was not brought back into production. [1] This design was also manufactured in clear glass with a blue stain to the flowers on the base, and in iridescent glass. [2]
Lalique was trained at the Ecole des Arts Décoratifs in Paris (1874-1876) and spent two years at Sydenham School of Art in Crystal Palace, London, before returning to Paris in 1880. Lalique’s exposure to the Arts and Crafts aesthetic in England would inform the development of his Art Nouveau style.
Lalique excelled as a jewellery designer and branched into glass making later in his career. Early glass commissions from Françoise Coty for perfume bottles began in 1908; however, at this time, Lalique’s designs were produced by other glass manufacturers. [3]
Encouraged by these commissions, Lalique rented the Compagnie Générale d’Éléctricité glassworks at Combs-la-Ville near Fountainbleau in 1908, before acquiring this property in 1913. [4] After the First World War (1914-1918), in 1921, Lalique bought a new factory in WIngen-sur-Moder in the Alsace region of, France, and expanded his glass production. [5] It was during this period that Lalique came to specialise in moulded opalescent glass. [6]
Vanessa Tothill, October 2020
[1] Felix Marcilhac , R. Lalique: Catalogue Raisonné De L’Oeuvre De Verre (Paris: Amateur, 2011), No. 382, p. 292.
[2] https://www.vinterior.co/home-decor/kitchenware/bowls/rene-lalique-blue-stained-lys-coupe-designed-1924-marcilhac-382 [accessed 8 October 2020]
[3] https://collections.vam.ac.uk/item/O2687/cyclamen-scent-bottle-lalique-rene-jules/ [accessed 19 November 2020]
[4] Amanda Geitner and Emma Hazell, ed., The Anderson Collection of Art Nouveau (Norwich: Sainsbury Centre for Visual Arts, University of East Anglia, 2003), p. 134; https://collections.vam.ac.uk/item/O2687/cyclamen-scent-bottle-lalique-rene-jules/ [accessed 19 November 2020]
[5] Geitner, p. 134.
[6] Geitner, p. 134
Further Reading
Mario Amaya, Art Nouveau (London: Dutton Vista, 1966)
Vivienne Couldrey, The Art of Louis Comfort Tiffany (London: Quarto Publishing, 1989)
Amanda Geitner and Emma Hazell, eds., The Anderson Collection of Art Nouveau (Norwich: Sainsbury Centre for Visual Arts, University of East Anglia, 2003)
Paul Greenhalgh, ed., Art Nouveau, 1890-1914 (London: V&A Publications, 2000)
Paul Greenhalgh, ed., The Nature of Dreams: England and the Formation of Art Nouveau (Norwich: Sainsbury Centre for Visual Arts, University of East Anglia, 2020)
Felix Marcilhac, R. Lalique: Catalogue Raisonné De L’Oeuvre De Verre (Paris: Amateur, 2011)
Not on display
Title/Description: Bowl
Born: 1930 c.
Materials: Glass
Measurements: h. 122 x w. 240 x d. 240 mm
Inscription: 'R. Lalique France 382'
Accession Number: 21023
Historic Period: 20th century
Credit Line: Donated by Sir Colin and Lady Anderson, 1978