Bill Brandt | Henry Moore
“The camera,” said Orson Welles, “is much more than a recording apparatus, it is a medium via which messages reach us from another world.” It was the camera and the circumstances of the Second World War that first brought photographer Bill Brandt (1904–1983) and sculptor Henry Moore (1898–1986) together. During the Blitz, both artists produced haunting images depicting civilians sheltering in the London Underground. These “shelter pictures” were circulated to millions via popular magazines and today they rank among the iconic works in the artists’ oeuvres.
The book begins with these powerful wartime works and examines the artists’ intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain’s great megalithic sites; found objects; and the human body. The book places sculptures, drawings, and photographic prints on equal footing with newsprint, negatives, contact sheets, cutouts, and unfinished experiments in collage. Special photographic reproductions vividly capture the materiality of photographs as singular three-dimensional objects. These striking images are shown alongside illustrations from popular period magazines, such as Life and Picture Post, which convey with tactile immediacy a period of turmoil and change.
Published the Yale Center for British Art and Yale University Press in partnership with The Hepworth Wakefield and the Sainsbury Centre
This forms part of the Bill Brandt | Henry Moore Exhibition shop of which more details about the forthcoming exhibition at the Sainsbury Centre can be found here.